voice 12, Pigment Print, 100x120cm, 2008-10

voice 13, Pigment Print, 100x120cm, 2008-10

voice 14, Pigment Print, 100x120cm, 2008-10

voice 15, Pigment Print, 100x120cm, 2008-10

voice 16, Pigment Print, 100x120cm, 2008-10

voice 17, Pigment Print, 100x120cm, 2008-10

voice 18, Pigment Print, 100x120cm, 2008-10

voice 19, Pigment Print, 100x120cm, 2008-10

voice 20, Pigment Print, 100x120cm, 2008-10

voice 21, Pigment Print, 100x120cm, 2008-10

Voice 2, 2008-2010

This work is combined picture of participants and their handwritings.
First time I began to take an interest in the body was that my mind was struggled. I experienced “body ego”, after I indicated every time my heart feel pain also my body feel pain either.

Body is the most direct expression of human experience, and personal power, even while publicly revealed is a place where the projection of social meaning. If so, why is the abdomen? There are two reasons why I put the abdomen in center to represent women’s body ego. First, I think the abdominal is most well exposed place of the body from diverse and intimate experience. The abdomen is where the most noisy places of the body, but is also repressed place. In addition, it is a source of sound which are life and death crouching and breathing. Second, the erection of a human, they rosed to see the world further and it was the act of conquest and free. However, revealing an important organ of the body in front is that the relative expression of confidence and trust.

After I finished the shooting, I ordered the participants to write an article. The article doesn’t matter of subjects and form. Thus, they will write what they want to say them in the present. Comfortable space and enough time is mandatory. According to Ellen Six’s “Laugh of the Medusa”, women regain their body to write themselves and she implies that women’s body is the text that engraved women’s experience. Seeing the body is that the body faces the inner body, which is carved on the body itself. also it is sort of having a conversation. Listener has become yourself who don’t have self-confident, or has become an ex-lover, or has become Absurd society. “Voice” is a development work of revealing.

Han Kyungeun

[Solo Exhibition]
2017 ‘Invisible Vision’, KT&G SangSangMadang Gallery, Seoul

2014 ‘Plasticity of Memory’, Project Space The room (Total Museum), Seoul

[Selected Group Exhibition]

2017 ‘New Force of Photography 2017’, ‘Invisible Vision’, Goeun Museum Of Photography, Busan

2016 ‘Arouse yourself’, ‘Plasticity of Memory’, Hankuk Art Museum, Yongin

2016 ‘Kairos in Photography’, ‘Mookjung’,
Sangsangmadang Chuncheon Art Center Gallery, Chuncheon

2015 ‘Lies of Lies: OnPhotography’, ‘invisible vision_#1,#2′, Huismet de Hoofden, Amsterdam, Netherlands

2015 ‘Lies of Lies: OnPhotography’, ‘invisible vision_restoration and balance’, Total Museum, Seoul

2014 ‘Art of Heungkuk Moving Gallery’, ‘Übermensch’ , SEONHWA Art and Culture Foundation , Seoul

2014 ‘Body and Nature’, ‘Plasticity of Memory’, ArtspaceJ, BoonDang

2013 ‘TRIALOG’, ‘Untitled’, Goethe-Institut Seoul, Seoul

2013 ‘The show must goon_Singapore”, ‘Übermensch’ , Praxis Space, ICAS, Singapore

2013 ‘RoadShow 2013 BaekRyeong Island & Incheon’, ‘(沈)Sim’s crisis and recovery’ , Total Museum, Seoul

2013 ‘Photography & Photography’, ‘Mookjung’, KT&G SangSangMadang, Seoul

2013 ‘New Force of Photography2013’, ‘Mookjung’, Goeun Museum Of Photography, Busan

2012 ‘Homo Empathicus’, ‘Mookjung’, Breda Photo International Festival, Breda, Netherlands

2009 ‘Platform in KIMUSA’, ‘A little Difference’, Art Sonje Center, Seoul

2008 ‘melancholy’, ‘I am a tear-jerker’, Gallery Sogul, Seoul

2007 ‘Happy Puzzle’, ‘Happy Puzzle’, Art outside Gallery, Tokyo, Japan

[Award]
2016 The 9th KT&G SKOPF Final Winner
2012 The 5th KT&G SKOPF Finalist


[List]