• Parkgeonhi Foundation

    박건희문화재단

  • Virtual Gallery

    버추얼갤러리

  • Daum Prize

    다음작가상

  • Mirae Award

    미래작가상

  • Daum Junior

    다음주니어

  • Introduction

  • Artist

    기억의 가소성, 나에게 주문을 걸어요, Pigment Print, 80x90cm, 2012-13

    기억의 가소성, 남들도 그렇게 알고 있겠지, Pigment Print, 80x90cm, 2012-13

    기억의 가소성, 내가 보기에도 정말, Pigment Print, 80x90cm, 2012-13

    기억의 가소성, 이젠 그 유치한 단어로만, Pigment Print, 80x90cm, 2012-13

    기억의 가소성, 시작 자체의 의도가 불순했다, Pigment Print, 80x90cm, 2012-13

    기억의 가소성, 너의 앙다물어진 작은 입에선 한번도, Pigment Print, 80x90cm, 2012-13

    기억의 가소성, 그때 내가 할 수 있는 것은, Pigment Print, 80x90cm, 2012-13

    기억의 가소성, 아무말 못하고 있다가, Pigment Print, 80x90cm, 2012-13

    기억의 가소성, 반박하기 시작했다, Pigment Print, 80x90cm, 2012-13

    기억의 가소성, 변명하지 않고도 살았는데, Pigment Print, 80x90cm, 2012-13

    Plasticity of Memory, 2012-2013

    Last winter again, I had to open the mail box to remember his deathday. It was to see the date of the last email from him. It has been 12 years.. or 13 years. I never remember his deathday but my whole body remembers biting wind of crematorium. Winds create incidents that didn’t even exist with all kinds of loss and yearning and bring non volitional memories.

    Involuntary forgetfullness and memory crosses the boundary of a blessing and a curse. Incidents that were not captured even with voluntary memory sometimes approaches at moments of the involuntary memory. This is because there is a sameness between the current sense and a sense of the past. When we think about the memory, it gets separated from material world and it doesn’t only exist as a notion. As memory obtains the place that enables to experience through body, it has an inseparable relationship with body.

    Just like ‘plasticity’ that leaves a modified object a permanent set without going back to the original form even after removing an external power, memory also has characteristics of instability, imbalance, disharmony and fragmentation. With these characteristics of the memory, through a special makeup, which is manipulative and artificial process, intimate memories or trauma has been imaged.

    In order to have participants, 20′s men and women through an online site have been collected. It was wondered that if today’s 20′s people who are struggling with school admission and employment have the same memories and wounds. Before shooting, between two subjects, ‘to you I hate to death’ and ‘to me of the day’ we let them choose one of them and write a letter. There is no receiver. By writing letters to their parents, friends, lovers and to them selves, they would encounter a special time. After writing a letter, the participants in front of the camera were still remaining at some times.

    Han Kyungeun

    [Solo Exhibition]
    2017 ‘Invisible Vision’, KT&G SangSangMadang Gallery, Seoul

    2014 ‘Plasticity of Memory’, Project Space The room (Total Museum), Seoul

    [Selected Group Exhibition]

    2017 ‘New Force of Photography 2017’, ‘Invisible Vision’, Goeun Museum Of Photography, Busan

    2016 ‘Arouse yourself’, ‘Plasticity of Memory’, Hankuk Art Museum, Yongin

    2016 ‘Kairos in Photography’, ‘Mookjung’,
    Sangsangmadang Chuncheon Art Center Gallery, Chuncheon

    2015 ‘Lies of Lies: OnPhotography’, ‘invisible vision_#1,#2′, Huismet de Hoofden, Amsterdam, Netherlands

    2015 ‘Lies of Lies: OnPhotography’, ‘invisible vision_restoration and balance’, Total Museum, Seoul

    2014 ‘Art of Heungkuk Moving Gallery’, ‘Übermensch’ , SEONHWA Art and Culture Foundation , Seoul

    2014 ‘Body and Nature’, ‘Plasticity of Memory’, ArtspaceJ, BoonDang

    2013 ‘TRIALOG’, ‘Untitled’, Goethe-Institut Seoul, Seoul

    2013 ‘The show must goon_Singapore”, ‘Übermensch’ , Praxis Space, ICAS, Singapore

    2013 ‘RoadShow 2013 BaekRyeong Island & Incheon’, ‘(沈)Sim’s crisis and recovery’ , Total Museum, Seoul

    2013 ‘Photography & Photography’, ‘Mookjung’, KT&G SangSangMadang, Seoul

    2013 ‘New Force of Photography2013’, ‘Mookjung’, Goeun Museum Of Photography, Busan

    2012 ‘Homo Empathicus’, ‘Mookjung’, Breda Photo International Festival, Breda, Netherlands

    2009 ‘Platform in KIMUSA’, ‘A little Difference’, Art Sonje Center, Seoul

    2008 ‘melancholy’, ‘I am a tear-jerker’, Gallery Sogul, Seoul

    2007 ‘Happy Puzzle’, ‘Happy Puzzle’, Art outside Gallery, Tokyo, Japan

    [Award]
    2016 The 9th KT&G SKOPF Final Winner
    2012 The 5th KT&G SKOPF Finalist



    [List]
    • Han Kyungeun INVISIBLE VISION, 2015-2017
    • Han Kyungeun Uncanny Calm 2011-2013

      • location link
      • korean site link
      parkgeonhi foundation logo